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Vedic Astrology

Image Credit: Darrell Hargett

Albert Einstein; the great physicist said, "Time is the fourth Dimension," Vedas say that "Time is the first dimension." In the beginning there was nothing. This concept of "nothing" is beyond the comprehension of ordinary human mind! It is so because before the concept of time there was absolutely nothing which is known as the "Shoonya" or ‘Zero’ or complete silence. Only the yogis who have attained "Nir Vikalpa Samadhi" state can experience this "nothing" and none else can. It is a state beyond time or "timeless state."

Vedas say that from this nothing originated vibration known as the "Pranava" or the sound ‘AUM’. From this sound there emerged five symbolic instruments of creation of universe. These were known as the Five "Tan matras". From the Tan matras came five primordial forces called Space and Time, Atmosphere, Light, Fire, Liquids, and finally the solidification of all. The mixing of these forces resulted in creation of the universes, as we know it now. It is an accepted scientific fact that even the universes are time bound. The theory of relativity; so called because all facts are related to time, speaks of speed in relation to time.

Vedas speak time as the limiting factor for all creation. Every thing is time bound. So the question came as to what is the scale of time? The Vedic seers, who are known as the Rishis, Maha Rishis, Brahma Rishis and Deva Rishis according to their knowledge of time and creation, have equated "Time" in relation to the age of Brahma the agent of creation. His age is 100 years in a special time scale. Note: Brahma is the name of the creative agent which should not be confused with "Brahman" the Timeless primordial force behind all creation.

The Rishis found that as far as the earth and the life in it are concerned the motion around the Sun is enough as a time scale for knowing the changes which would occur with the movement of the earth in relation to the Sun. They also found other celestial bodies like the Moon, Mars, Mercury; Jupiter, Venus and Saturn cast their influence on the earth. The seers also advised that every action must produce a reaction which comes back to the source of its origin in due cycle of time. The word "Karma" means action. Newton’s third law of motion is based on this concept.

The Planets were found to be the best guides as to the type of forthcoming reaction good or bad in the moving time scale. Thus was born the science of Vedic astrology, which is known as "Jyotisha" or ‘illuminator’ in Sanskrit. Vedas are knowledge taught by teacher to disciple through the medium of sound. They cannot be learnt by reading or memorizing. An ordinary example can be cited to illustrate the point. Ordinary "Yes" means I accept. "Yes? Also means what do you want? ‘Yyeess’ means I have my doubts, ‘Yus’ mean’s reluctant acceptance, Yes sir means please tell me and so on.

Astrology is a part of Veda hence it is known as Vedanga (anga means limb). We call it Vedic astrology because it is based on time schedules stipulated in Vedas according to yogic meditational observations of the planets in motion around the sun in relation to the earth and its motions.


Indian Way of Life

Few countries in the world have such an ancient and diverse culture as India’s. Stretching back in an unbroken sweep over 5000 years, India’s culture has been enriched by successive waves of migration which were absorbed into the Indian way of life. It is this variety which is a special hallmark of India. Its physical, religious and racial variety is as immense as its linguistic diversity. Underneath this diversity lies the continuity of Indian civilization and social structure from the very earliest times until the present day. Modern India presents a picture of unity in diversity to which history provides no parallel.

Using the body as a medium of communication, the expression of dance is perhaps the most intricate and developed, yet easily understood art form. The fascination for Indian dance all over the world is indicative of the deep-felt need to use the human body to express and celebrate the great universal truths. Indian dance does just that in a heightened, reverential form. Also, since dance is physical and visual, it illuminates India’s culture in a direct manner, playing on the sensibilities of the onlooker. Thus, those who are attracted to India will find the idiom of dance the best introduction to India’s rich ethos and traditions. In India, dance and music pervade all aspects of life and bring color, joy and gaiety to a number of festivals and ceremonies. In fact, dance and music are tied inextricably to festivity of any kind.

India offers a number of classical dance forms, each of which can be traced to a different part of the country. Each form represents the culture and ethos of a particular region or a group of people. The most popular classical styles seen on the Indian stage are Bharatanatyam of Tamil Nadu, Kathakali of Kerala, Odissi of Orissa, Kathak of Uttar Pradesh, and Manipuri of Manipur. Besides these, there are several semi-classical and folk dances that contribute to the plethora of Indian dances. The common root of all classical dance forms can be traced to Natyasastra, ascribed to Sage Bharata who is believed to have lived between the 1st and 2nd Century AD. The Indian dance forms are based on the instructions in the Natyasastra. It also contains deliberations on the different kind of postures, the mudras or hand formations and their meanings, the kind of emotions and their categorization, not to mention the kind of attire, the stage, the ornaments and even the audience. All dance forms are thus structured around the nine rasas or emotions, hasya (happiness), krodha (anger), bhibasta (disgust), bhaya (fear), shoka (sorrow), viram (courage), karuna (compassion), adbhuta (wonder) and shanta (serenity). All dance forms follow the same hand gestures or hasta mudras for each of these rasas. The dances differ where the local genius has adapted it to local demands and needs.

Indian dance is divided into nritta – the rhythmic elements, nritya – the combination of rhythm with expression and natya – the dramatic element. Nritya is usually expressed through the eyes, hands and facial movements. Nritya combined with nritta makes up the usual dance programmes. To appreciate natya or dance drama, one has to understand and appreciate Indian legends. Most Indian dances take their themes from India’s rich mythology and folk legends. Hindu gods and goddesses like Vishnu and Lakshmi, Rama and Sita, Krishna and Radha are all depicted in classical Indian dances. Each dance form also draws inspiration from stories depicting the life, ethics and beliefs of the Indian people.

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